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Did the film truly honor the first African American aviators?
By: Taren Vaughan
For weeks, much hype has been centered on the release of George Lucas’ latest production Red Tails, based on the true story of the Tuskegee Airmen of World War II. Lucas’ previous work including a countless number of Star Wars flicks, have earned him tons of praise, not to mention money, over the years. But exactly how well did he do with a movie based on something so instrumental to the progression of African Americans?
For starters, there is much that can be said about the actors who took on such powerful roles. Terrence Howard did an outstanding job, nailing his role as “Colonel Bullard”. With a touch of arrogance mixed with an abundance of confidence, Howard’s character, along with Major Stance (played by Cuba Gooding, Jr., who did an equally great job as Howard), reflected how African American males were given authoritative positions in the U.S. Army Air Corps. Though true, the movie still showed how they had to go above and beyond to prove themselves and those associated with them worthy individuals for true combat.
As for the tone of the movie, it was overall a serious one. The blatant racism during these times was evident in the film as the “N” word was dropped a time or two in addition to some “awkward situations” that the men experienced as well. Aside from the rather serious moments, there were a number of humorous moments too, fueled by funnymen, “Smokey”, “Lightning” and “Joker”, allowing the audience to let out a few laughs. Even with that being said, neither of those things took the audience’s attention away from the main focus of the story.
As educating the audience was the mission, Red Tails can be summed up in one word…Action.
Nearly two hours of action packed footage is what one should be prepared for. This movie was filled with it from scene to scene, with the occasion down time. The dull moments were held to a minimum. Not harshly graphic in nature, Red Tails was typical of most war-based films, capturing full fledged combat and the fatalities that went along with it.
Red Tails was a solid, updated film of the legendary story behind the courageous African American aviators from now Tuskegee University. Focusing in on the general history was not all this film did. It zeroed in on the racial discrimination that the men faced as well as the comradery and the brotherhood that these men shared.
For those who knew little about the Tuskegee Experiment, they will most definitely walk away with more knowledge than they came in with.
Red Tails had a healthy mixture of battle, historical references and humor and it was a wonderful break from the stereotypical roles that Black men tend to play in Hollywood movies, making it a must see film.

Does the hit sitcom have enough clout to become a box office hit?
By: Taren Vaughan
The HBO series Sex And The City had women all over the globe glued to their TVs. Whether it was keeping up with the unpredictable relationship between Carrie and Mr. Big or hearing about the "friendly" yet stylish Samantha Jones’ sex tales, the show took hold of viewers’ attention and never let it go. It created such a buzz that a genius mind thought it would be an instant hit on the big screen and it was, so much that a sequel soon followed.
The fabulous four were not the only ones putting out a successful show as another group of women became some our favorite “friends”.
Since its very first airing back in 2000, Girlfriends has made a name for itself as the Sex And The City for the sisters. Picking up where the popular 90’s show Living Single left off, Girlfriends lasted for eight seasons making it one of the longest running sitcoms ever. Aside from the record-breaking numbers that it drew in, the one thing that many people applauded the show for was its realism; the realism behind the characters and the things that they went through.
As fanatics were not at all looking forward to its last episode, it still remains a topic of conversation, even amongst those who were once apart of the cast.
The former Joan Clayton, the motherly one of the bunch, has spoken out about her willingness to pursue Girlfriends beyond the sitcom arena.
On her recent appearance on The Wendy Williams Show, Actress Tracee Ellis Ross eluded to the fact that she wouldn’t mind taking the show a step further:
“I would love to do a 'Girlfriends' movie. I want to see Joan get married,”
She also longs to see Toni and Joan rekindle their damaged friendship too. It sounds like Joan is very much alive and well in Ross’ heart.
Be that as it may, Ross knows that the ultimate decision is not up to her:
“I think the fans have to ask for it,”
Could she be on to something here? Does Girlfriends have enough clout to make it to the big screen?
Reed Between The Lines may have her hands tied at the moment but I doubt that she would turn down the opportunity to do a movie like this.
How different was this film from his other big screen movies?By: Taren Vaughan
For years now, Tyler Perry has brought us both movies and plays from all different angles. From the full fledged comedic pieces to the dramas that still have those laughable moments in them, he has found multiple ways to get his point across to viewing audiences, especially the African American one. As we all know, you will not walk away from a Tyler Perry film without getting at least one teachable moment under your belt. But in this film, those moments were of abundance. And I must say that they were much more intense than that of what we are used to from him.
For Colored Girls touched on every situation imaginable that a black woman could go through. One major thing about this movie that set it apart from your typical Tyler Perry dramas was that it was a little more intense that usual. Sure, the man behind “Madea” always has those learning moments somewhere in his films and plays. But the ones in this movie will make you truly realize the seriousness of what some sisters out there are going through. And this film did a good job at touching on just about every possible scenario that black women, or women in general for that matter, could find themselves in. And the quality of actresses and actors that he selected for these roles was superb. Raw, hardcore talent is seen all through this movie, which I must say can be kind of iffy when it comes to TP flicks.
Actress Kimberly Elise took on one of the most intense roles of the film as the abused mother of two whose baby’s father stayed on edge due to his heavy drinking problem. Although Elise had the most complex problem
s of them all, Thandie Newton by far stole the show, playing Tangie, the apartment building’s “free spirit” who always kept her bed warm with random strangers. Elise, Newton and Kerry Washington, who played the heartfelt social worker who longed to have children of her own, to me, are three of the most underrated actresses in the business. But with the performances that Kimberly Elise and Thandie Newton put on in this movie, there may be some Oscar nominations coming their way in the near future.In addition to including fresh talents like Anika Noni Rose and Tessa Thompson, Perry went on to bring some veterans on board in this film. As a motherly figure but far from Claire Huxtable, actress Phylicia Rashad played the “tell it like it is” manager of the apartment complex who constantly bumped heads with Tangie (Thandie Newton) about her “loose ways”. To ease viewers hearts’ from all the dramatic scenes, he added in the very talented and funny Loretta Devine, as the boisterous nurse that had a slight problem of her own, chucking up the deuces to her tired “man-friend” that she kept taking back. Whoopi Goldberg showed a more serious side of herself in this movie, playing the “holier than thou” mother of two daughters, one of whom she absolutely despised. Bring in Ms. Jackson as the successful yet miserable head of her own fashion magazine and you have a full cast of African American actresses with strong on-screen presence.
One flaw of the movie that stood out to me was Perry’s attempt to incorporate poetry into. The randomness of the poem reciting is what may throw movie goers off at points in the movie. Trying to hold on to that aspect of the original stage play, it could have been done a little differently to where it flowed better. As the concept incorporating poetry was necessary to maintain the connection with the original version, the way that it was presented in the movie could have been done differently. As for the ending of the movie, it was very symbolic of Terry McMillan's “Waiting To Exhale”, with a sister circle moment with lots of tear shedding and hugging.
The intensity of the situations presented in this film closely mirrored that of the Academy Award nominated film “Precious”. If you are not one for tear jerkers that may have you grabbing your Kleenex box every five minutes, this may not be the movie that you want to go see when you are in good spirits. It held no punches when it came to what these women were going through whatsoever. And I have to admit, this is one of Tyler Perry’s dramas that I can honestly say fully lives up to the word “drama”. Not to down play his other dramatic films like “Why Did I Get Married” of “Diary of A Mad Black Woman” because I enjoyed both of those movies. For Colored Girls though is somewhat in a league of its own. But yet and still, this movie was very "Tyler Perry-ish". Overall, For Colored Girls was a very good movie and worth the money to go see.
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